The traditional story reenacted in Graham’s unmistakable ritualistic and visceral style.
Music: Igor Stravinsky
Lighting: Solomon Weisbard
Set: Edward T. Morris
Projections: Paul Lieber
Costumes: Pilar Limosner after Martha Graham and Halston
A stark, explosive response to the devastation and isolation that war leave in its wake. Performed separately or as the center section of Graham’s Chronicle.
Music: Wallingford Reigger
Costumes: Martha Graham
A solo created by Graham’s teacher, Ted Shawn, and a prime example of American dance in the early 20th Century – the sort of dance against which Graham rebelled.
Choreography: Ted Shawn, reconstructed by Martha Graham
Lighting: Thomas Skelton
Music: Mario Tarenghi
Costume: Martha Graham (after Pearl Wheeler)
A comedic look at the universal antics of humans trying to impress each other.
Music: Robert Starer
Set: Marion Kinsella
Costumes: Martha Graham
An early, witty solo in which Graham mocks her own serious reputation.
Music: Fernando Palacios
Costumes: Martha Graham
A stark, modern abstraction of religious ritual born out of Graham’s deep connection with the ceremonies of the natives of the American southwest. The work was hailed as a masterpiece at its premiere and launched Graham as a major force in American art.
Music: Louis Horst
Costumes: Martha Graham
A reflection on the truth about physical passion, untempered by conscience, decency, or civilized principles based on the Greek tragedy of the queen who lusted after her step-son.
Music: Robert Starer
Set: Isamu Noguchi
Costumes: Martha Graham
A rallying cry for social activism created for 33 students and often performed with the Company as part of Prelude and Revolt or Dance is a Weaponby students at the University where the Company is touring.
Music: Norman Lloyd
Costumes: Martha Graham
One of Graham’s greatest masterworks. A chilling reinvention of the tragedy of Oedipus told through the eyes of his mother and wife, Jocasta.
Music: William Schumann
Set: Isamu Noguchi
Costumes: Martha Graham
An instant audience favorite and a humorous and loving tribute to the choreographic muse and the music of Graham’s youth.
Music: Scott Joplin
Set: American Folk Art
Costumes: Calvin Klein
Graham’s signature solo — the essence of grief itself.
Music: Zoltán Kodály
Sets: Martha Graham
Costume: Martha Graham
A woman struggles with choices of independence and empowerment while another tries to contain her.
Music: Paul Hindemith
Set: Isamu Noguchi
Costumes: Edythe Gilfond
A fine example of Graham’s earliest revolutionary modernism and her recurring theme of the struggle for individuality.
Music: traditional folk song
Costumes: Martha Graham
Graham’s masterwork solo from 1935. A young woman facing the future.
Music: Louis Horst
Set: Isamu Noguchi
Costume: Martha Graham
A wry look at a woman’s illusions of grandeur as she imagines her life and loves through the lens of stardom.
Music: Paul Nordoff
Set: Philip Stapp
Costumes: Edythe Gilfond
Loosely derived from the myth of Theseus, who journeys into the labyrinth to confront the Minotaur, this duet sends a woman on the mission. The maze may be her own mind and the confrontation may be with her own fears.
Music: Gian Carlo Menotti
Set: Isamu Noguchi
Costumes: Martha Graham
A contemporary take on the Garden of Eden and a frankly erotic romp, this tragi-comedy explores the timelessness of temptation.
Music: Carlos Surinach
Sets: Isamu Noguchi
Costumes: Martha Graham
With a modernist style evoking primitive or naïve art come to life, this dramatization is based on the rituals of the American Southwest. We see a troupe of strolling players enact vignettes from the Bible.
Music: Louis Horst
Set: Isamu Noguchi
A reimagining of a sculptural Graham solo from 1933 brought back to the stage by Virginie Mécène.
Music: Ramon Humet
Costume: Martha Graham
An ensemble work for the company and a joyous, lyrical, abstract essay on the infinite aspects of love.
Music: Norman Dello Joio
Costumes: Martha Graham
A deeply resonant response to the Spanish Civil War, a cry of anguish, this solo is an embodiment of Graham’s fears for a world torn apart by man’s inhumanity to man.
Music: Henry Cowell
Set: Martha Graham
Costume: Martha Graham
A prime example of Graham’s early psychological works, the dance is inspired by the lives of the three Brontë sisters and the struggle of women to follow their deepest impulses in the face of convention and tradition.
Music: Hunter Johnson
Set: Arch Lauterer
Costumes: Martha Graham
A noted arrangement of highlights from the original featuring the renowned choreography for the ensemble of men and women.
One of Graham’s most psychological and abstract works, and noted for its extraordinarily poignant and intricate work for the danced chorus.
Music: Carlos Chavez
Set: Isamu Noguchi
Costumes: Martha Graham
Graham’s masterpiece of contemporary theater and her only full-evening work, the characters and tragedy of the Trojan War resonate with today’s themes.
Music: Halim El Dahm
Set: Isamu Noguchi
Costumes: Martha Graham and Helen McGehee
An atmospheric look at the Sorceress and her band of bewitched animals as they try to seduce Odysseus.
Music: Alan Hovaness
Set: Isamu Noguchi
Costumes: Martha Graham
Graham’s stirring response to the rise of fascism in 1936 and to the unmatched power of the collective will.
Music: Wallingford Riegger
Set: Isamu Noguchi
Costumes: Martha Graham
A shattering study of the destructive power of love inspired by the story of Medea.
Score: Samuel Barber
Set: Isamu Noguchi
Costumes: Martha Graham
Excerpts of Appalachian Spring with spoken introductions from the letters of Graham and Copland.
Graham’s beloved masterwork and “a testimony to the simple fineness of the human spirit.”
Score: Aaron Copland
Set: Isamu Noguchi
Costumes: Martha Graham
A glorious neoclassic work in three parts: Conversation of Lovers, Lament, and Ritual to the Sun.
Score: Carl Neilsen
Costumes: Halston