Ekstasis is thought to be the 37th creation by Graham. In a 1980 interview, Graham explained that the genesis of this dance came from a pelvic thrust gesture that she discovered one day. This led her to explore “a cycle of distortion” that she found deeply meaningful. “Before Ekstasis, I had been using a more static form, trying to find a ritualist working of the body,” she concluded. Virginie Mécène reimagined this version of Ekstasis based on the sparse documentation of this original solo, which included a few photos by Soichi Sunami and Barbara Morgan.
Ekstasis (1933) and (2017)M Sherwood2018-10-31T12:54:49-04:00