Michael Kliën’s Movement Discovery Workshop

michael-klien

Thursday, November 6, 6-9pm

$25 Advanced Registration; $30 At the Door

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Pioneering choreographer Michael Kliën offers his workshop in New York for the first time. Join us for a special workshop with one of Europe’s leading avant-garde choreographer/directors. Kliën’s thought-provoking process helps dancers develop personal inroads to movement, improvisation and composition. 

Michael Kliën’s performance art is seen at major festivals and museums. He has developed a far-reaching theory and practice influencing audiences and practitioners from all over the world and from all disciplines.

Can’t get enough of Michael Kliën?

Join us November 11th at 7pm for
a conversation with Michael Kliën and Steve Valk:

Is Dance the Art Form of the 21st Century?

 

Michael Kliën – Biography

Michael Kliën’s artistic practice encompasses interdisciplinary thinking, critical writing, curatorial projects, and centrally, choreographic works equally at home in the Performing as well as the Fine Arts. His works have been performed and situated in many countries across the world. Commissions include Ballett Frankfurt, ZKM (Karlsruhe), Tanzquartier Wien and the Vienna Volksoper; exhibitions include IMMA (Irish Museum of Modern Art), Benaki (Athens) and Hayward Gallery (London). He received a PhD from the Edinburgh College of Art in 2009 and has been lecturing about his findings at numerous distinguished academic and non-academic institutions. He was co-founder and Artistic Director of the enigmatic London based arts group Barriedale Operahouse (1994—2000) and Artistic Director/CEO of Daghdha (2003—2011). Based in Greece and Ireland, he is currently working as an independent artist.

Recent key projects include the choreographic works ‘Sediments of an Ordinary Mind’ and ‘Standing in Ink’ for Daghdha Dance Company, ‘Parliament’ for Benaki Museum, ‘Choreography for Blackboards’ for Hayward Gallery, ‘Slattery’s Lamp’ for IMMA’s (Irish Museum of Modern Art) permanent collection, a solo- exhibition at the Irish Museum of Modern Art and the publication of ‘Books of Recommendations: Choreography as an Aesthetics of Change’.

www.michaelklien.com

A Conversation with Kliën and Valk


Michael Klien event image

Purchase Tickets Now!
Only $15!

One of Europe’s most thought-provoking artistic production teams, choreographer Michael Kliën and dramaturge Steve Valk engage in a dialogue to outline their radically expanded vision of choreography and dance.

The talk will delve into some of the most exciting and revolutionary ideas in current contemporary cultural practice, to explore a vision of dance and choreography that aims to chart a way out of the current crisis facing Western societies.

In addition, Kliën and Valk introduce the emerging field of Social Choreography as a real-world project of transformative aesthetic practice.


Michael Kliën

Michael Kliën’s artistic practice encompasses interdisciplinary thinking, critical writing, curatorial projects, and centrally, choreographic works equally at home in the Performing as well as the Fine Arts. His works have been performed and situated in many countries across the world. Commissions include Ballett Frankfurt, ZKM (Karlsruhe), Tanzquartier Wien and the Vienna Volksoper; exhibitions include IMMA (Irish Museum of Modern Art), Benaki (Athens) and Hayward Gallery (London). He received a PhD from the Edinburgh College of Art in 2009 and has been lecturing about his findings at numerous distinguished academic and non-academic institutions. He was co-founder and Artistic Director of the enigmatic London based arts group Barriedale Operahouse (1994—2000) and Artistic Director/CEO of Daghdha (2003—2011). Based in Greece and Ireland, he is currently working as an independent artist.

Recent key projects include the choreographic works ‘Sediments of an Ordinary Mind’ and ‘Standing in Ink’ for Daghdha Dance Company, ‘Parliament’ for Benaki Museum, ‘Choreography for Blackboards’ for Hayward Gallery, ‘Slattery’s Lamp’ for IMMA’s (Irish Museum of Modern Art) permanent collection, a solo- exhibition at the Irish Museum of Modern Art and the publication of ‘Books of Recommendations: Choreography as an Aesthetics of Change’. www.michaelklien.com

….Can’t get enough of Michael Kliën? Check out his November 6th Movement Discovery Workshop!


Steve Valk

Steve Valk (1962) is a contemporary dance dramaturge, visual artist and designer and currently the director of the first Insitute of Social Choreography in Frankfurt Germany.

In 2007 he founded the international dramaturgical and social choreographic design agency „r.i.c.e.“ (radical institute of cybernetic epistemology) with headquarters in Limerick, Ireland, Helsinki Finland and Frankfurt Germany. For twelve years (1992-2004), he was Head Dramaturge and creative collaborator for William Forsythe and Ballett Frankfurt. During this period, his ground-breaking visual dramaturgy informed Forsythe`s seminal choreographic works. From 1998 to 2004,Valk`s dramaturgical practice and focus on trans-disciplinary networking strategies led to the development of a new participatory / situational epistemology for the institution of contemporary dance. The resulting large-scale projects “Schmalclub” (1999-2002) and “New Meaningful Public Space” (2003-2004) are now recognized as seminal works in the emerging field of Social Choreography.

From 2004-2011, Valk, in partnership with choreographer and Artistic Director Michael Klien, became Head Dramaturge and artistic collaborator of Ireland`s Daghdha Dance Company. Through a persistent process of rigorously re-examing the core principles of contemporary cultural practice, Daghdha became one of Europe‘s most progressive arts organizations, “a complex and living ecology, one which conceptually transcended and extended far beyond the boundaries of its formally prescribed institutional structures”.

In December 2012 – with the support of, and in collaboration with, a longstanding network of local, regional, and international trans-disciplinary theorists, cultural workers, civic partners, and friends – Steve Valk founded the first Institute of Social Choreography in Frankfurt Germany.


The Institute of Social Choreography

In its daily activities, the Institute of Social Choreography specialises in deep dramaturgical research, the development of new cultural formats and collaborative networks, and the practice of social choreography as a set of methods for discovering and manifesting alternative patterns in the ecology of our collective experience. Project partners range from social service organisations of all kinds, religious institutions, schools, foundations… art-, performance- and design- universities to creative agencies, the Occupy movement, local and international cultural initiatives, museums, dance departments and government agencies. Its primary aim is to expand, extend, and integrate experiential knowledge, attained in the visual and performing arts, into all aspects of civic and cultural life. The Institute of Social Choreography aims to identify, strengthen and open new political dimensions of aesthetic practice, not through the representation of ideologies, but by creating the conditions for original social relations to arise directly out of choreographic practice. Performative experimentation is its central methodological principle.

 

Appalachian Spring: Up Close and Personal

70th Birthday Event…

While tickets have sold out for Appalachian Spring: Up Close and Personal,
check out additional upcoming events by clicking here!

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Join us at the Martha Graham Studio Theater for the 70th birthday of Appalachian Spring, Graham’s beloved masterwork and “a testimony to the simple fineness of the human spirit.” Appalachian Spring‘s world premiere was October 30, 1944, at the Library of Congress in Washington, DC. It’s only appropriate to celebrate this very special occasion with birthday cake and by performing this iconic Graham ballet.

Ticket availability:
October 30
SOLD OUT


Appalachian Spring 70 years

Announcing our 2014-2015 Season: Shape&Design

embattled garden header

Kyle Abraham, Michell Dorance, Liz Gerring, Sonya Tayeh, Annie-B Parson, and more!
Graham’s defining influence as an American Modernist is explored in Shape&Design with dynamic programs that highlight the
sculptural and architectural aspects of choreography by Graham and others.


New York Season

The Company’s two-week season at The Joyce Theater in New York City, February 10–22, 2015, will offer Graham classics, new commissions, and premieres by guest choreographers in three varied programs.
 
Purchase Tickets Now!

The season will feature Panorama and Chronicle – Graham classics that set the standard for geometric force. Embattled Garden and Errand into the Maze will showcase evocative sets by Isamu Noguchi.

The New York Season will also include recent works by renowned choreographers, including the New York premiere of Nacho Duato’s Rust, a reprise of Andonis Foniadakis’ Echo, and the Company premiere of Annie-B Parson‘s The Snow Falls in the Winter.

The Company will celebrate the 85th anniversary of Graham’s iconic solo Lamentation with the world premiere of Lamentation Variations by Kyle AbrahamMichelle Dorrance, Liz Gerring and Sonya Tayeh.

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In addition to the upcoming season at The Joyce, the Company will present several other projects and events related to Shape&Design.

GrahamDeconstructed

The Company continues its GrahamDeconstructed series this fall, offering audiences an up-close and behind-the-scenes look at Graham masterworks in the intimate setting of the Company’s Studio Theater.

On September 16 and 17 Graham Company alum Peter Sparling will present Notes on a Voyage — a dance and media event that focuses on Graham’s process to create Voyage (1953).

On October 30, the company will present Appalachian Spring Up Close and Personal — a complete performance of Appalachian Spring in costume and with the classic Noguchi set, on the 70th anniversary of its premiere.


FIT Fashion Culture Series

On October 28, the Company will perform as part of The Museum at FIT’s Fashion Culture Series, in conjunction with the Dance and Fashion exhibit. Two of Graham’s classic solos – Lamentation and Spectre-1914 – will be presented offering a look at seminal examples of Graham’s revolutionary costuming. Visit www.fitnyc.edu/museum for more information.


Hauser & Wirth

December 11-13, the Company will perform a selection of Graham’s most sculptural choreography on the occasion of Thomas Houseago’s latest exhibition at Hauser & Wirth. Houseago and Graham, though separated by decades, both draw inspiration from primal gesture and the emotional architecture of the body. The Company will perform selections from Graham classics such as Errand into the Maze, Canticle for Innocent Comedians, and Dark Meadow in response to Houseago’s immersive installation. Visit www.hauserwirth.com for more information.

Throughout the 2014-2015 season, the Martha Graham Dance Company will tour to over twenty cities across the United States, including performances at Bass Concert Hall, Austin, TX; Chapman Music Hall, Tulsa, OK; The Fine Arts Center, Concert Hall, Amherst, MA; Flynn Center for the Performing Arts, Burlington, VT; Northrop Auditorium, Minneapolis, MN; Popejoy Hall, Albuquerque, NM; and Memorial Auditorium, Chapel Hill, NC. The current tour schedule is available on our Tickets and Events page.

Peter Sparling’s Notes for a Voyage

While tickets have sold out for Notes for a Voyage, mark your calendars for GrahamDeconstructed: Appalachian Spring Up Close and Personal

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September 16 and 17, 7:00pm at the Martha Graham Studio Theater

Notes for a Voyage

“Notes for a Voyage” theatricalizes Graham’s intense creative process.

Starring Blakeley White-McGuire, Tadej Brdnik, Lloyd Knight and Ben Schultz.

The evening includes a conversation with original cast member Stuart Hodes
and an open rehearsal of Martha Graham’s Errand into the Maze.


Tickets are available online:

September 16
SOLD OUT

September 17
SOLD OUT

Company alum and filmmaker / choreographer Peter Sparling presents a dance and media event focusing on the creative process behind Graham’s 1953 work, “Voyage.” A highly personal and psychological dance, “Voyage” was born out of Graham’s sessions with Jungian analyst Francis Wickes. No record of the dance remains, but much has been written about its creation.

Principal Dancer PeiJu Chien-Pott receives international recognition!

Principal Dancer PeiJu Chien-Pott receives international recognition! 

An international Jury, made up by the most outstanding dance critics of the world, has named our principal dancer, PeiJu Chien-Pott Most Outstanding Female Dancer on the Contemporary Scene for the forty-second edition of the POSITANO PREMIA LA DANZA “LEONIDE MASSINE” 2014 in Positano, Italy.

For the Premio Positano Gala-Prix taking place on 6th of September 2014 inPositano, Italy, PeiJu will perform as Medea in two signature solos from Martha Graham’s Cave of the Heart.  It is her premiere in the role.

The Jury is composed by: Roger Salas (President, El Pais, Spain), Valentina Bonelli (Vogue, Italia), Tatiana Kuznetkova (Kommerzant, Russia), Judith Mackrell (The Guardian, Great Britain), Wendy Perron (Dance Magazine, United States).

Among the artists who have been prized with the PREMIO POSITANO in the past editions there are: Margot Fonteyn, Rudolf Nureyev, Gianni Versace, Maurice Béjart, Vladimir Vassiliev, Ekaterina Maximova, Natalia Makarova, Carla Fracci, Luciana Savignano, Elisabetta Terabust, Alessandra Ferri, Roberto Bolle, Alicia Alonso, Yuri Grigorovich, Ulyana Lopatkina, Blakeley White-McGuire, Ivan Vassiliev, Natalia Osipova.

POSITANO PREMIA LA DANZA “LEONIDE MASSINE” 2014 is organized byPositano Municipality under the direction of Daniele Cipriani.

Annual All-Graham Meeting

All-Graham Meeting

All of us at the Martha Graham Dance Company were delighted to open our doors on September 16 for the organization’s third Annual All-Graham Meeting. Over 50 Graham friends joined our Board and staff for a discussion about last year’s activities and plans for the current season.

The Company puts audiences at the center of our work, and we hope that the “All-Graham” designation relays our enthusiasm for your involvement. In case you missed this year’s gathering, here’s a summary of the discussion:

All Graham Annual Meeting Report 2014 (click to view)

Executive Summary and Strategic Plan (click to view)

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2014 Scholarship Luncheon

October 23, 2014 • 12-2pm

Scandanavia House
58 Park Avenue, NYC

Performance by Graham 2, followed by Luncheon and Silent Auction.

Honoring special guests

Miki Orihara   •   Dr. Donald Rose

Purchase Table or Tickets

All proceeds benefit the Martha Graham School’s Scholarship Fund.

Luncheon Chair Lee L. Traub

****

Miki Miki Orihara joined the Martha Graham Dance Company in 1987 and has performed nearly every major role in the Graham repertory. She serves as a Graham regisseur, has performed with many other notable companies and choreographers, assists master teacher and choreographer Yuriko in Graham technique classes and reconstructions, has traveled extensively as a guest teacher, and is currently on faculty at the Martha Graham School. In 2010 she received a New York Dance and Performance (BESSIE) Award for her contributions to dance. We salute Ms. Orihara for her embodiment of the Graham repertory, for all that she has done and continues to do for the Graham legacy, and for her engagement in the wider dance world.
dr-rose Dr. Donald J. Rose has served as the founding Director of the Harkness Center for Dance Injuries at NYU Hospital for Joint Diseases since 1988. He has acted as Orthopedic Consultant to the Graham Company and School for more than fifteen years, as well as to several peer dance companies, the National Football League, Cirque du Soleil, Joyce Theatre, and S.U.N.Y. Purchase. As a result, Dr. Rose has developed career-long relationships with some of Graham’s most beloved artists. Dr. Rose was the recipient of the Dance Library of Israel Documents of Dance Award in 1997, the University of Medicine and Dentistry of New Jersey Distinguished Alumnus Award in 2002, and the Robert Wood Johnson Medical School Distinguished Alumnus Award in 2012. We salute Dr. Rose for his dedication to his craft and skills, for enabling dancers to pursue their vocation, and for his support of the dance community at large.

Benefits

Patron Ticket ($300)
Attendance and table seating for one.
Luncheon Committee listing on formal invitation
(for two tickets or more, if purchased before September 10th).

Benefit Ticket ($500)
Attendance and table seating for one.
Luncheon Committee listing on formal invitation
(for two tickets or more, if purchased before September 10th).
Listing in the Luncheon Program under “Benefactor Tickets and Contributions”.

Patron Table ($3,000)
Attendance and table seating for up to ten.
Vice Chair listing on formal invitation and program
(if purchased before September 10th).
Listing in the Luncheon Program under “Patrons”.
Opportunity to observe a Graham 2 studio rehearsal
for your party of four, upon request.

Benefactor Table ($5,000)
Attendance and table seating for up to ten.
Vice Chair listing on formal invitation and program
(if purchased before September 10th).
Listing in the Luncheon Program under “Benefactors”.
Opportunity to observe a Graham 2 studio rehearsal
for your party of four, upon request.
Invitation to Company’s intimate NY Season preview and reception,
hosted by Artistic Director Janet Eilber.

 

All proceeds benefit the Martha Graham School’s Scholarship Fund.

Purchase Table or Tickets

Scholarship Luncheon

Honoring special guests Miki Orihara and Dr. Donald J. Rose

October 23, 2014 • 12-2pm

Scandanavia House
58 Park Avenue, NYC

Performance by Graham 2, followed by Luncheon and Silent Auction.

Honoring special guests

Miki Orihara   •   Dr. Donald J. Rose

Purchase Table or Tickets

All proceeds benefit the Martha Graham School’s Scholarship Fund.

Luncheon Chair Lee L. Traub

****

Miki Miki Orihara joined the Martha Graham Dance Company in 1987 and has performed nearly every major role in the Graham repertory. She serves as a Graham regisseur, has performed with many other notable companies and choreographers, assists master teacher and choreographer Yuriko in Graham technique classes and reconstructions, has traveled extensively as a guest teacher, and is currently on faculty at the Martha Graham School. In 2010 she received a New York Dance and Performance (BESSIE) Award for her contributions to dance. We salute Ms. Orihara for her embodiment of the Graham repertory, for all that she has done and continues to do for the Graham legacy, and for her engagement in the wider dance world.
dr-rose Dr. Donald J. Rose has served as the founding Director of the Harkness Center for Dance Injuries at NYU Hospital for Joint Diseases since 1988. He has acted as Orthopedic Consultant to the Graham Company and School for more than fifteen years, as well as to several peer dance companies, the National Football League, Cirque du Soleil, Joyce Theatre, and S.U.N.Y. Purchase. As a result, Dr. Rose has developed career-long relationships with some of Graham’s most beloved artists. Dr. Rose was the recipient of the Dance Library of Israel Documents of Dance Award in 1997, the University of Medicine and Dentistry of New Jersey Distinguished Alumnus Award in 2002, and the Robert Wood Johnson Medical School Distinguished Alumnus Award in 2012. We salute Dr. Rose for his dedication to his craft and skills, for enabling dancers to pursue their vocation, and for his support of the dance community at large.

 

Benefits

Patron Ticket ($300)
Attendance and table seating for one.
Luncheon Committee listing on formal invitation
(for two tickets or more, if purchased before September 10th).

Benefit Ticket ($500)
Attendance and table seating for one.
Luncheon Committee listing on formal invitation
(for two tickets or more, if purchased before September 10th).
Listing in the Luncheon Program under “Benefactor Tickets and Contributions”.

Patron Table ($3,000)
Attendance and table seating for up to ten.
Vice Chair listing on formal invitation and program
(if purchased before September 10th).
Listing in the Luncheon Program under “Patrons”.
Opportunity to observe a Graham 2 studio rehearsal
for your party of four, upon request.

Benefactor Table ($5,000)
Attendance and table seating for up to ten.
Vice Chair listing on formal invitation and program
(if purchased before September 10th).
Listing in the Luncheon Program under “Benefactors”.
Opportunity to observe a Graham 2 studio rehearsal
for your party of four, upon request.
Invitation to Company’s intimate NY Season preview and reception,
hosted by Artistic Director Janet Eilber.

All proceeds benefit the Martha Graham School’s Scholarship Fund.

Purchase Table or Tickets

Photo Credits: Hibbard Nash Photography